rhythm of elements consists of internationally renowned pianist makoto kuriya and japanese club scene pioneer dj uchikawa. together they combine exquisite musicianship with the deepest club beats to create a unique hybrid - musical tracks for electronic dancefloors.
over the years, rhythm of elements has called on some of the biggest talents in dance music to re-interpret their tracks. these will now become available for the first time together on cd later this year, but as a teaser, beyond remixes ep selects four on this heavyweight slab of vinyl.

poker flat welcomes new artist show-b to the ranks! mathias schober is the talent behind this new and exciting production project - having already released on the respected compost black label - and now announces a whole new batch of funk laden, truly deep electronic jams. >far down< is a swirling and all-encompassing tech-house journey. characterized by pitching synths and focused percussion, the building track really ignites as its slow burning themes come to the fore and a remarkable moment is created. the technical and dubbed-out >time comes< is a superb example of a modern electronic hybrid. crossing heavy dub stabs and delay-washed fx with thick, room filling synths and exceptional detailing, this inventive and textural track is pure home-grown and highly recommended! a dub version is also included which focuses on show-bs stylish drum fills and great feel for tension in the arrangement

mainrecords is back - stronger then ever!
we are proud to present an very talented upcoming artist from athens/greece called billy on air. growing up in a house full of music had many influences by different kinds to him. he started playing the piano at the age of 6 and that you can hear on his first production for mainrecords wich is a very aelodic and well produced hybrid between techno and trance. for his debut we got some cool remixes, the first one is from our long-time friend frank leicher who has stripped down the original to a techhouse bomb in his typical style. on the flip we present a crazy technoid remix by noone less then alex bau. his repaint uses just the essential drums of the original.

phonicas seventh release comes from paul woolford as he delivers a double dose of quality crossbreed dancefloor music taking his sound to new depths and illustrating hes an artist who never stops evolving. fresh from a tour with, and in advance of a release on planet e, paul woolford continues his rise to becoming one of the most important electronic music artists of the decade with his first release for phonica, a label who have unleashed some unrivalled quality cuts on their catalogue. opening this special double a-side 12 inch is >cant do without<, a bone-shaking record that is laced in originality. building up slowly from a tape-hiss-laden break, a low-slung bassline and a deep yearning vocal, >i cant do without you< is sublime dancefloor material. engaging from the outset with clever broken beats that build playfully into an emotive, psychedelic breakdown to get lost in, woolford demonstrates why he has achieved so much success in his game. on the flip >bareback< treads into dark acid territory that is a hybrid of techno and dubstep in a similar vein to actress and recent material from instra:mental / boddika

alexi delano, nyc resident and long time hybrid cohort of cari lekebusch with a 2 tracker from his colorclash 3.

chilean born dinky is a long standing resident at panorama bar. her warm, technical house sound, underpinned by intricate rhythmic and harmonic elements is a much loved staple of the scene. >take me< is a wonderful meeting of thuggish house and soul-infused, feel-good energy. a surprise break leads to unexpected vibes and a brief encounter with some rhodes keys action. >polvo< is a psychedelic ride through more cerebral moments, possessing the power to truly lock you in. the extended passages of this breezy, garage-house hybrid just highlight dinkys instincts for dramatic timing.

we are pleased to announce the debut release of a young producer from the uk, bnjmn. his adventurous electronic sound is one we haven t heard in a while, and excited us on first listen. while on one hand his music has a traditional sound (early 90s uk), bnjmn does create a world of his own due to the versatility in his productions. it is this versatility that creates an exciting hybrid sound, therefore pushing the envelope and making it sound very current, future even

fresh from the success of his sellout collaboration with dj venom on the underground hit >deeper<, benjamin damage is back.
the first release on doc daneekas ultra-on-point label ten thousand yen is still ringing in the ears of clubbers all over the world after being smashed by modeselektor and his latest ep looks set to be even bigger.
following the release of his acclaimed debut solo vinyl >zeppelin< for modeselektors 50 weapons label, benjamin damage returns with the eclectic 4 track ep >antidote< on his own >solva< label. flying from the beautiful melodies of >no snares< and infectious rhythms of >run and bounce< to the hard uk funky/techno hybrid >808 rhythm< and pure main room energy bliss of >pump<, this is an absolutely essential purchase.

well rounded kick off 2011 with the deep space bump-n-hustle of littlefoots aptly named >interplanetary< ep.
all 4 tracks contrast tuff dry drums & low sweeping subs with cosmic atmospheres and twilight melodies and chords. theres a unique strictness in the drums here, less swung than typical garage but with innovative programming that shows a producer keen to explore new possibilities. as ever with well rounded and our producer friends, we are celebrating influences from the past - think classic 4/4 uk garage in the vein of dem 2, mixed with early 90s rave sounds and welded together in a motor city car plant. with added post-dubstep production sensibilities, littlefoot is creating an unheralded hybrid sound. all 4 tracks contribute to the completeness of the ep - we go in hard, explore different areas and complete our journey with the last track. we hope you enjoy this trip.

the seventh release on dva records comes from a young, unknown resident of manchester named gugu. staying true to the dva style, his two tracks are fine examples of todays hybrid funky house scene, maintaing the 4 to the floor drum patterns whilst drawing on a wide range influencesà and as it suggests in the epÆs title, is packed full of cuban flava. straight up music designed to make people dance. it wouldnÆt be right to get a dva release without a feature from the man himself, rinse fmÆs grimey breakfast show host mr scratcha dva. as a slight deviation from the norm û and in a way a return to the styles his earlier production û dva lays down a heavyweight slice of synth laden half step, defiantely one to pull your dirty face too. check it out and get back to us with your thoughts.

the exceptional quality of these two pieces of music, combined with obvious dance floor appeal and a coincidentally similar theme made this pairing a logical choice. one side is a hybrid hip hop-dubstep monster put together by los angeles based producer bare. the flip is a drum & bass stomper created by accomplished british producer and long time basshead family member dj silver. both songs are a proven commodity for any bass dj and are causing ruckus on dance floors around the globe.

born in chile but raised in sweden, alexi delano, with fellow swedes like cari lekebusch, adam beyer, jesper dahlback, joel mull and others, became part of some of the first wave of swedish electronic music producers that made a name for themselves in the mid 90s, releasing on techno labels such as plus8, missile, primate, hybrid, svek and many more. his style dwells in the perfect balance between shiny minimalism and dark vivasious techno, which is exactly what you can expect from his brand new ep for leena >un do me<. as a long term friend of mobilee, and also an artist who’s productions fit well with many of our artists dj styles and tastes, its a great pleasure to finally release one of his productions on leena. both tracks on the ep >un do me< and >watch out< come with a powerful punch and high energy. with more than two decades on the stage, hes an artist that is certainly showing no intentions of slowing down. we hope you enjoy this!

soys debut release comes in the form of >red<, a no nonsense straight up house track with stabby chords and relentless groove evident on the s2k rendition. on remix duty cinematic pulls in the now berlin based parisian alexkid whos career spans over a decade in techno and electronics, originally cutting his teeth alongside laurent garnier at f-comm. alex pulls out all the stabs on his remix with a stomping kick that further extentuiates that groove and forms that hybrid of house and techno with soul. completing the ep >computer moods< already burning floors is the hidden gem on this package seeing some great reactions from watergate, berlin to secretsundaze, london. a dirty bass heavy drum track that tears through any funktion one sound system!! one not to sleep on!

the recording debut of the key rinse dj — a hybrid of rugged house muscle and raw funky flex. with a remix by the workshop and fxhe don kassem mosse

soopasoul aka danny hybrid supporters include craig charles (bbc 6), andy smith, danny krivit, ashley beedle and many more, all embracing the special soopasoul recipe for pure soul food!

first on decks .de !!! sa007 sees perc and modern heads create the first collaborations between these two core stroboscopic artefacts artists. the result is a punishing hybrid of percs dubstep tendencies and modern heads cutting techno. a-side >mendax< is cavernous. built upon solid dub foundations, it spills over into grinding, metallic territory. if the titles to be believed it takes inspiration from the shady world of lies and deceit. the atmosphere seems to agree, theres certainly something mendacious at work here. b1 takes the eps atmosphere and adds abrasion. in >percdax< cold, hard percussion is layered over a bed of warm dub. closer >moddax< errs on the eerie. it skulks, is full of sticky bleeps and the result is unnervingly dubbed out. all three track titles share the same suffix and if this indicates that they also share one quality its that theyre best heard in the glinting shadows of a club just before day break. sa007 was craftily mastered by artefacts mastering, berlin.

so, who or what is trajical bitch aka manager_111 akaka elec pt.1 akakaka trajical bitch akakakaka the minister? and why is this guy making dirty rough banging chi-house/d-techno hybrid-tracks in his own special way? born an raised in duesseldorf, andreas gehm, the mysterious man behind that all - moved to cologne a few years later. this proper guy stands not more or less for an uncompromising underground techno and house conspiracy, whether you label it bleepy dry minimal, glitchy acid-phonk or shimmering futura3000-cosmic-disco that definitely makes your ass move. the d stands for duesseldorf and the c for cologne, but of course these initials likewise pertain to detroit techno and chicago acid house.
comes on black marbled vinyl, including psycho thrill poster.

wow! can this label get ay better? after three absolutely rocking releases, jamie jones & lee fosss stupendous new label hot creations, unleashes another absolute corker of an ep! burnski (20:20, poker flat, morris /audio) & robert james (hot creations) deliver an irresistible slice of heavenly house pie. the title track >malibu< is something very special indeed, an effervescent, super-groovy, disco-tinged, house hybrid, with detroit inspired chords and a hooky-as-hell vocal too boot! the flip side features another choice cut from the same stable, >perception<. hot as hell, and again so, so catchy youll dance yer socks off! finally jamie jones delivers a fantabulous remix of >malibu<, adding a sweet guitar lick, a new vocal, and a monster of a breakdown and bassline! again another sure fire winner from the hot creation crew. burnski has recently released >coming home< on 20:20, whilst robert james and jamie jones have recently remixed last years >summertime< anthem by jamie for release on crosstown rebels in the very near future. these tracks have all been proving a hit with this summer wit the more discerning jocks. a fantastic release from a great talent, on a label that is proving to be one of the hottest around this year!

kondens is a collaboration between swedish electronic music veterans andreas tilliander (mille plateaux/force inc, raster-noton and repeatle) and stefan thor aka folie (mitek). the sound is a hybrid of techy dubstep with a twist and banging dub-influenced techno. pure peak time bliss without losing the love for dub and tape delays. the vinyl debut, first cut ep, includes a stunning deep techno remix signed norman nodge.

top notch hybrid rhythm and blues with a rock edge

sasha carassi is come back on his first label with a brand new fresh techno ep.paranoid mechanism is a mixture of hybrid sounds with a specially electronic inserts and devastating grooves,in few words what the djs want for their dancefloor! supported by alan fitzpatrick,alex bau,joseph capriati,fergie,carlo lio,daniele papini,anderson noise and more..

kasper bjorke is the danish multi-talent whose second album >standing on top of utopia< was recently released on hfn music to much international applause. the beautiful, classic-analog meets cutting-edge-futuristic sound of the album has kick started a revolution in post-electronic stylings where songwriting and genuine musical ideas stand in the forefront of tough beats or unnerving trippyness. this remix package represents this whole-heartedly, with three outstanding moments in fresh and addictive hybrid sounds, right in time for summer! >heaven< was the touching, haunting song that mr. bjorke has perhaps become best known for of late!

ghostleigh flirting with hi-tech afro rhythms topped by warm layers of chords as used in many detroit techno classics. cool hybrid of dubstep, techno and house! extremely limited pressing 200 copies!

the a-side holds a hard-hitting, percussive techno-house hybrid that sounds a bit like an air frog production but features additional cool vocal licks on top. b-side has a basic, bass-heavy, pouding tech-house groove with strong detroit sound influences. strong!

palms out is proud to present the second ep from austins dubbel dutch, the throwback ep. on a wave hype from every corner of the globe, across genres - foregoing any remixers, this three song original ep - has been described as >everything thats exciting about music right now<. a hybrid of genres peek their heads out- uk funky, classic house, baltimore club, tropical, bashment rhythms, drum n bass & dubstep - this is music that defies description.

after appearing on the excellent tama sumo panomrama bar mix cd this detroit band project makes their debut on planet e with this nice melodic yet ruff house/ techno hybrid.

back again we have the mediterranean flavor of the friends affkt and alberto sola. always experimenting with different ingredients like the cooker ferran adria, the guys who laid the first stone of the legendary label barraca, now present a hybrid of pop and house which will leave no one indifferent. ‘pobla loves you’ was born with the tuba of alberto cuartero, orchestra director of hoya gonzalo in albacete. marc and alberto (affkt and sola) wanted to have a typical instrument of a band and merged it with the electronic dance scene, always being faithful to his maxim of making music to dance as well as to listen. if we surround valencia, road to pobla de farnals, we passed through la canada. there are los updates, who upon hearing the organic rhythm of pobla and the work with the wind instruments, set to work with the voices. perfectly adapted to the capital of the turia river, jorge and loreto propose a valencian poem that their children have learned at school. the moon of valencia then join our dinner for four. finally, we add to our paella a bit of percussion and keyboards made in affkt, to get a main course and obtain a typical valencian plate but by adding a little chilean salt becomes international. more oriented to the dance floor, there are three rather different remixes. new union between spain and chile, with danny fiddo and felipe venegas. this couple present an elegant and deep remix with drums and vocals perfectly adapted to the current sound. moreover, the french man darlyn vlys re-interpreted >pobla loves you< with a lot of groove and percussion added. finally, affkt gives his funker version of events to complete a job that will come out by the german label international freakshow

we present the first in a series of re-issues with >a deeper ground ep< by repeat orchestra, originally released in 2000. needless to say, it sounds no less fresh ten years later. the four-track ep is the work of stefan schwander under the repeat orchestra name. in his repeat orchestra work, schwander distills the finest elements of detroit techno and chicago house into a sleek hybrid that honours its roots while casting its gaze upon the future.

boy we couldnt resist hooking up with one of the youngest and brightest proteges in the west-coast undergound to slap out some crazy remixes of the bsu ep for yall. who is he? why, a made up sound ofcourse, or 2562 for short. steamrolling his way onto the scene in 2007, 2562 has been a mainstay from the get go, with amazing production skills and a keen ear for what rocks the house. in a very short time the 2562 name became almost synonimous for dubstep. but luckily for us theres the made up sound guise to provide us with a more mutant hybrid of slamming jak-step (and remember where you read that first). so take your pick, heres one for the heads and one for the bodies.

bear newcomer roberto auser has his debut album inbound on bearfunk. whilst we prepare for that gem to drop roberto has teamed up with fellow dutchman alden tyrell for their disco house hybrid blondes and brunettes. alden has had a series of fine releases on the clone and moustache labels, here he fuses his accomplished style with the electronic wizardry of roberto. each of them contributes a spanking remix. alden is tasked with dancefloor operations and he duly delivers with his 4/4 drums, rolling analog basslines and main room swing. roberto goes for the bar mix which tones down the swank but adds in slick percussion and analog stabs for a early set highlight. label chief bear stevie kotey contributes his own version. this time around the real drums and bass guitars have been sidelined in favour of linntastic drum programming and sequenced synth lines. the roberto auser album secret carnaval is out on bearfunk in spring 2010

massive 2010 hybrid tune: dub , dubstep techno detroit are the teacher

re-release of this legowelt classic. more of that unique disco/electro hybrid wich was the trademark of the hague at the time.

in order to the re-release of the classic deusexmachina exp:001 re-release the enzyme crew decided to offer us this special enzyme release: deusexmachina exp:001.5!
this wicked hardcore/industrial hardcore 12 inch kicks off on the a-side with two brand new remixes of the classic tracks >throes of injection< and >facerocker<. >throes of injection< gets a massive 2010 treatment by enzyme superstars nosferatu & endymion, the boys did a perfect job in their particular style which makes this remix a huge floorfiller. >facerocker< receives a vip remix by immobilizers, a terrific industrial remix which will be highly appreciated by the lovers of darker sounds.and on top of this all the flip side offers 3 brand new tracks by mindustries, rough & experimental stuff full of originality, just what youd expect from these masterminds.
slammin vinyl which is a true must have for each & every hardcore lover worldwide, have it large!

1995 classic!

kink - bitter sweet
kink has built up quite a reputation recently with some amazing work on rush hour alongside neville watson, and two slamming old-school-vibed remixes on liebe*detail. now we present his debut original track for the label, and >bitter sweet< really shows off his tender, heartfelt approach to house. raw, beautiful, melancholic and spine-tingling, this is modern house with a harmonious nod to the pioneers, connecting with us on deeper levels and remaining within us forever.
tom demac - draw me in
wales tom demac has already proved prolific as a producer constantly putting out genre defying, funky and ingenious hybrid house. also his debut for liebe*detail, >draw me in< takes on a strong and bass-heavy approach, with tight drums and freaky vocal-snippets melting together into a mutant jam of seismic proportions. reduced, casual and yet deadly cool, its a welcome additions to toms excellent production catalogue!

the second and final voyage direct remix ep. four remixes from homeland amsterdam.
aardvarck, boris werner, san proper and sotu the traveler deliver the goods here and do what they do best, creating a diverse set of mixes. boris delivers an even deeper mix of >lost in the streets of nyc<, which is already being played by the likes of ricardo villalobos et al. aardvarck roughens up >on the side< in his well-known cultcopy style. while san proper discofies >use me< and sotu morphs the title track into a dubstep/house hybrid. new shit!

tiger supported by... rob da bank, kiko, markus kavka, mihalis safras, justin berkovi, ivan smagghe, orde meikle... moonbeam are back on traum! the russian brothers had a great year and have been voted as one of the top 100 djs worldwide by uk dj mag, in december 2009. we think they are wonderful, dedicated people who really deserve winning this award. with their new a-side track >tiger< moonbeam show their timeless quality and their deep knowledge of music, writing a seemingly simple but gigantic track. if you want to express in words what this track is like you might say it is a hybrid of joe beltrams >energy flash< fuelled with a melodic note and a lot of post-techno feeling. creating a revival of rave which so many people speak about, but so few actually reflect in theirproductions! the energy of this dark monumental new school acid track is counteracted by the two tracks on the flipside >land of the lost (strict mix)< and >zoo<. the b1-track >land of the lost< sounds like a soundtrack for a film set in a ghost-town in the midwest of the united states. a track that travels like a camera does... through different rooms of a deserted mansion. the b2-track >zoo< is the beat track of the record. it relies on its cool driving sequences and the hypnotic feeling it creates through them. adding small changes here and there that keep the track constantly going.

vivace is a project of stephen hitchell (cv313, echospace, intrusion) and is a unique hybrid of deep house, dub, jazz, & soul, a sort of new school/old school fusion which pays homage to chicago house heroes like chez damier & ron trent in their prescription era but with a modern twist. this project is the continuation of his previous soultek material initially featured on germanys force tracks & force inc family of labels back at the start of the century. the title track in its original form is a sub-aquatic journey through space and bass, as deep as you would come to expect from an echospace production but the sound palette has changed, shifting into a world filled with ambience and free form jazz. the use of live instrumentation & vocals are a driving force behind this project and add a depth and soul oceans deep, its like melting in sonic butter. the soultek mix is a frenzy of edits, funked up and sounds like it could be a schizophrenics take on house music, brendon moeller dives deep into soul, shifting and morphing the original into a proper late night house jam you could only imagine derrick carter or theo parrish dropping at the wee hours of the morning. the closing intrusion mix gives the original a frosty lime green haze best absorbed while inhaling, real trippy stuff. this first release has already earned countless play from francois k and in its inception (as soultek) was hailed as >jacks echo -- the future sound of chicago< by de-bug magazine, germany

>i have always had close ties with fabric and this time they have really paid off. fabric were putting together a new cd called >elevator music< that featured a lot of the new uk drum n bass/house hybrid material coming out right now. they sent me a couple tracks by a new guy named julio bashmore which i really liked. literally the next night i had a gig in bristol and julio came to the show and gave me even more tracks. these were my favorite two tracks of his. i really like this mix of jungle and house. i also like this new breed of producer who isn’t scared or mired in tradition. i’m definitely feelin it!<
claude vonstroke

twentieth release in fat cats famed split series compilations, this record combines norways alog with sunroof! member astral social club.
active since 1997 and one of norways leading exponents of experimentalelectronic music, alog is the duo of espen sommer eide and dag-are haugan, mainstays at the rune grammofon label.
alogs unique, hybrid sound has since developed through four albums that have unfurled a series of abstract yet accessible, self-contained sound worlds, each animated with their own internal logic, mixing a wide variety of bothelectronic and acoustic sources into something warm, intricate and organic.
alog embrace the freedom to flit and root in the cracks between strands of minimalism, electronica, post-rock, improv and vernacular music, merging woozy, stuttering electronica (a la oval or nobukazu takemura), with rich, shoegazey guitars, freeform improvisation, scandinavian folk, field recording and the masterful editing and soundscaping of electroacoustic composition.
astral social club is the project of prolific scottish-born neil campbell, apivotal figure on the uk post-punk underground, with a vast catalogue and numerous collaborations.
a member of both matthew bowers total and sunroof! projects, he appeared on three of the latters albums before helping to form the hugely influential and prolific (over 40 releases) leeds-based drone/psych-rock outfit vibracathedral orchestra in 1998.
campbell left vco in 2006 to go solo as astral social club, under which moniker he has released a number of albums (on labels like vhf, important, qbico, textile) and an ever-increasing stream of self-released cdrs in alimited edition series of volumes (currently up to #19).
the three tracks here were recorded by campbell, john clyde-evans, paul walsh and spider stacy.

we had some unfinished business, so after long deliberation her is the return of creme jak! jtc (aka james t cotton) opens this ep with a devastating 70s disco/funk/jak hybrid, hypnotizing crowds with a repetitive funk guitar and throwing them into a jakking frenzy with a steamrolling basskick counterpoint. simply jak-tastic! followed by a silky chicago dub jakker for the comedown and were ready for 2am/fm. or are we? these two cats rave up the place with some of their patented deep rolling chicago-house influenced trax, but spice it up with a thick-slick muddy bassline before erupting like old yeller. top

juke and ghetto house hero dj gant-man was part of the fools gold family from the start - his remix of kid sisters >damn girl< was on the back of our very first release, quickly followed by production on kid sis >switch board< and shows around the country as her tour dj and hypeman. so naturally, we are very proud to present gants new solo single and debut fg artist release, >juke dat girl<.
from his earliest 12 inches on dance mania, to rocking parties around the world on the rave and club circuts alongside legends like paul johnson, gant has been pushing his signature chicago sound for almost two decades - mixing up rapid-fire juke beats while referencing all the house and disco classics that first paved the way. >juke dat girl< is the latest development of gants hybrid approach, slowing the bpms down to a more universal tempo but keeping the hyper, party-starting energy intact.
the banging original also comes backed with two massive remixes - an amped-up rave version from the heavily buzzed dc duo nadastrom and a groove-filled uk funky house rework from ex-bugz in the attic producers greenmoney. the entire single is a dj must-have, so pick it up and work! and juke! and work! and juke…

today, krikors musical style has become more hybrid than ever, a personal synthesis of his musical obsessions : the fat groove and old drum machines of chicago house, the abstract sounds of minimal techno, the urge and energy of rock(abilly), the harshness of industrial music, the dark romantism of folk anti-heroes from the 60s and the forward thinking of grm lab rats (pierre schaeffer, pierre henry..). the result of this synthesis is a first album >land of truth< at last, after 10 years of waiting. its an intimate and ambitious album, bitter and sweet. 11 cinematic songs featuring the voices of krikor himself and also nicolas ker (from poni hoax) on >god will break it all< and >dogs on trial<, chloe (the french dj) on >everything fades< and chloe (the english punkette of battant) on >the times<.

the first release by m_rec ltd is by the dutch man jeroen search. couldn t start any better to show the quality of sound of this label. 4 pure analog tracks that go from a hood style to mills but with a search personality. simply an artist!

the advent & industrialyzer keep up the strom on release number 30 for kombination research.

>munich bass<. oder: schlachthofbronx feiern ein kosmopolitisches volksfest.schon vor veröffentlichung des ersten albums haben sich die drei münchner von schlachthofbronx eine stetig wachsende fanbasis erspielt - dank ihrer weltweiten dj-team-einsätze sowie live-sets und den gut informierten musikblogs dieser welt: viele ihrer tracks gondeln in unterschiedlichen versionen durchs netz. doch nun gibt es mit >schlachthofbronx< eine amtliche version ihres >munich bass<, dem dreckigen hybrid aus afrikanischem kuduro, südamerikanischem cumbia, karibischem soca/dancehall, brasilianischem baile funk, kapverdischem funana, amerikanischem bootybass, dubstep und bayernschranz. diese wilde und anarchische musikwilderei hört sich an wie ein hyperaktives, betrunkenes nashorn im autoscooter: primitiv, aber druckvoll. das ist funktionale clubmusik ohne kulturelle grenzen oder genre-scheuklappen, die ganz dreist afrikanische, südamerikanische und karibische beats mit tieffrequenz-bässen, balkan-gebläse und widerborstiger bayerischer volksmusik mischt. das stiftet verwirrung und sorgt für aufsehen - aber fährt in alle glieder. globale tanzmusik fürs 21. jahrhundert.

a full length album with ten times stunning and bombastic acid invented by an impressive list of madmen: ceephax, luke vibert, eod, darcangelo, kettel, jtc, db, anders ilar, chris moss acid and ardisson. all tunes are drenched in high quality acid, some come in a hybrid, melodic idm form, while others are pretty nostalgic and full of ecstacy. still another bunch of songs are rough, uncompromising and truly from the sewer. a massive compilation, far away from reality and designed for a big night of hedonistic mayhem. comes with an amazing psychedelic cover thats synthetic and organic at the same time! check it out

stroboscopic artefacts 1st vinyl release is an incendiary 2 track ep. label founder lucy gives us a visionary blueprint for the future stroboscopic artefacts releases, etching out the soundtrack for an apocalyptic club scenario. out of the a-sides dark, pulsing beats and itchy baselines, a granular voice rises up. krishnamurtis rasping vocal cuts through, creating a colossal techno track. the result is a hybrid of the physical need to dance fusing with the cerebral. amid resonant piano samples and utopian 60s strings, a crystalline question emerges: why dont you change? in the middle of a hazy, overcrowded dance floor this peak-time guerrilla track hints at a moment of epiphany. on the b-side dub man walking, lucys dub-roots background collides with his techno identity. the heavy drum machine structure is injected with obsessive dubby baselines and intersected by high frequency distortion. the track floats, the elements never fully solidify, instead they surge forward becoming ever more urgent. lucy mixed and arranged dub man walking live using his faithful mackie ms 1202 to keep the texture warm in an old skool way

>munich bass<. oder: schlachthofbronx feiern ein kosmopolitisches volksfest. schon vor veröffentlichung des ersten albums haben sich die drei münchner von schlachthofbronx eine stetig wachsende fanbasis erspielt - dank ihrer weltweiten dj-team-einsätze sowie live-sets und den gut informierten musikblogs dieser welt: viele ihrer tracks gondeln in unterschiedlichen versionen durchs netz. doch nun gibt es mit >schlachthofbronx< eine amtliche version ihres >munich bass<, dem dreckigen hybrid aus afrikanischem kuduro, südamerikanischem cumbia, karibischem soca/dancehall, brasilianischem baile funk, kapverdischem funana, amerikanischem bootybass, dubstep und bayernschranz. diese wilde und anarchische musikwilderei hört sich an wie ein hyperaktives, betrunkenes nashorn im autoscooter: primitiv, aber druckvoll. das ist funktionale clubmusik ohne kulturelle grenzen oder genre-scheuklappen, die ganz dreist afrikanische, südamerikanische und karibische beats mit tieffrequenz-bässen, balkan-gebläse und widerborstiger bayerischer volksmusik mischt. das stiftet verwirrung und sorgt für aufsehen - aber fährt in alle glieder. globale tanzmusik fürs 21. jahrhundert.